12 Best Lenses For Landscape Video in 2022 – Reviews

12 Best Lenses For Landscape Video in 2022 – Reviews

Landscape photography appears in front of us in many different forms, maybe because it has a lot to express from abstract and intimate to panoramas which are themselves very distinguished. Being a landscape or any photographer, you cannot rely on skills only. To achieve the best landscape videos you must have the right equipment along with skills and the right environment.

So, for landscape video recordings the first thing a photographer would be searching for is a camera that has the best features to help him in his shootings.

The second and the most important thing to look for would be a lens. By having the best camera, lenses, and skills a photographer can achieve the best landscape videos. But in a busy routine searching around for a lens in shops gets very difficult so photographers tend to go for an online search first.

For this reason, we have selected some of the best lenses for landscape video shooting. All of these lenses were analyzed and checked multiple times by experts. The lenses below are the best lenses for landscape videos recording.

What type of lens is best for landscape photography?

Lenses may get very expensive so doing proper research before purchasing one is a good choice. A few things like focal length, aperture, autofocus, image stabilization build quality, etc are very important to know about a lens.

  • Focal length: Different lenses have different focal length which makes it either a wide/ultra-wide (14-35mm/10-12mm), zoom 924-70mm), telephoto (70-200mm) or prime (fixed focal length).
  • Aperture: A fixed aperture is what you need for landscape photography such as, f/1.4, f/1.2 or f/2.4 aperture.
  • Autofocus: When handheld, landscape photography requires a fast working AF.
  • Image stabilization: Nowadays almost all the lenses come with built-in VC or image stabilization which aids the image quality.
  • Build Quality: Weather sealed, lightweight and compact lens would be considered one of the best lenses for landscape videos because of its use in sudden environmental changes. 

Can a 50mm lens be used for landscapes?

For beginners, a 50mm lens is a good option. It will give the photographer a sudden relief and a changed view of his shootings. It will also let a photographer capture landscape stills and video recordings without the burden of a large setup. So, yes, a 50mm lens can be used for landscapes.

Is 18mm good for landscape?

We concluded that a slight improvement of focal length can result in a large change of landscapes quality. If you already have a 16mm lens you must try an 18mm lens. It will definitely prove to be a game-changer as it is considered the best focal length for landscape photography.

Canon EF 50mm f/1.2L USM

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.45
  • Elements in groups: 8/6
  • Stabilization: No
  • Weight: 580g

Review

Canon EF 50mm f/1.2L USM is one of the best lenses for landscape videos and by the end of this review, you will agree to this.

Autofocus & Accuracy: To complement the autofocus of the lens, a ring-type UltraSonic Motor (USM) combined with the well-optimized focusing algorithms and high-speed CPU realizes very fast, quiet, and accurate autofocus. It also has a full-time manual focusing override.

Sharpness & Stabilization: Optical design of Canon EF 50mm f/1.2L USM consists of one aspherical lens element which suppresses aberrations for increased sharpness and clarity. Individual lens elements are Super Spectra coated for flare and ghosting reduction.

Element & Lens Mount: Sophisticated optical design of Canon EF 50mm f/1.2L USM lens is composed of 8 elements in 6 groups. These lens elements are coated with Super Spectra coating for improved lens working. Canon EF 50mm f/1.2L USM prime lens designed for full-frame Canon EF-mount cameras however the lens is compatible with APS-C models as well.

Weight & Build Quality: Canon EF 50mm f/1.2L USM prime lens is one of the best lenses for landscape videos because of its lightweight, compact body and good image quality. It weighs 580 grams in total which is very lightweight compared to other lenses. It does come with a lens hood but excludes a tripod collar and weather sealing.

Video Review

Drawbacks

  • It has no weather sealing

Pros

  • Good optical design
  • Sharp image quality

Cons

  • Compatible with full-frame Canon only
  • Omit tripod collar

Sigma 24-70mm f/2.8 DG OS HSM Art

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.37m
  • Elements in groups: 19/14
  • Stabilization: Yes
  • Weight: 1020g

Review

Sigma 24-70mm F/2.8 DG OS HSM is one of the best lenses for landscape videos. It has multiple mount compatible lenses such as Canon, Nikon, and Sigma cameras.

Autofocus & Accuracy: Sigma 24-70mm F/2.8 DG OS HSM has very fast, quiet, and responsive autofocus. Besides the full-time manual internal focusing of the lens, there is a ring-type Ultrasonic Autofocus Motor installed in the optical structure for faster and improved AF. Accuracy is sustained as long as possible through the internal system of the lens.

Sharpness & Stabilization: Sharpness of Sigma 24-70mm F/2.8 DG OS HSM has been improved for which the outer third of the frame is an example. It also carries four aspherical lens elements which induce sharpness, accuracy, and clarity by reducing aberrations and distortions. It has a built-in optical stabilizer that further stabilizes the video.

Element & Lens Mount: Sigma 24-70mm F/2.8 DG OS HSM has an optical design that constitutes 19 elements in 14 groups. Out of these fourteen elements, three are Super Low-dispersion (SLD) and four are aspherical. It is designed for full-frame Canon EF-mount, FX-format Nikon F-mount, and Sigma cameras as well.

Weight & Build Quality: Sigma 24-70mm F/2.8 DG OS HSM weighs 1020 grams. It is a lightweight lens and we consider it as one of the best lenses for landscape video recording. The build quality of Sigma 24-70mm f/2.8 is also very impressive just like the videos. Additionally, the fluorine coating makes it splash and dustproof.

Video Review

Drawbacks

  • The lens omit tripod collar

Pros

  • It is weather-sealed and sturdy
  • The image quality is accurate and sharp
  • It includes a lens hood

Cons

  • It is heavy in weight

Sony FE 85mm f/1.4 GM

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.80m
  • Elements in groups: 11/8
  • Stabilization: No
  • Weight: 820g

Review

For a landscape video recording Sony FE 85mm f/1.4 GM has proved itself to be very accurate. Its focal length and bright aperture make it the best choice.

Autofocus & Accuracy: For clear and focus videography, Sony FE 85mm f/1.4 GM features a Linear Super Sonic wave motor which works along with the internal focus mechanism for even faster and precise autofocus. On the other hand, one XA element in the lens is especially incorporated to increase accuracy and clarity.

Sharpness & Stabilization: Benefitting the sharpness of Sony FE 85mm f/1.4 GM prime lens are the extreme aspherical and extra low-dispersion elements. These elements reduce flare and ghosting by overall increasing sharpness. Besides the image stabilization, Sony FE 85mm f/1.4 GM is the best lens for landscape video shooting.

Element & Lens Mount: An optical design of 11 elements in 8 groups benefit the overall performance of the Sony FE 85mm f/1.4 GM prime lens. The lens elements are Nano AR coated out of which one is an extreme aspherical element. It is designed for full-frame Sony E-mount mirrorless cameras but as always it is also usable with APS-C models.

Weight & Build Quality: The weight of the sophisticated Sony FE 85mm f/1.4 GM prime lens is 820 grams. It is a light and compact versatile lens with a strong build. It also carries a lens hood and weather protection. Dust and moisture sealing makes it one of the best lenses for landscape photography in inclement weather.

Video Review

Drawbacks

  • Lens is expensive

Pros

  • Impressive sharpness
  • Good build quality
  • Weather sealing

Cons

  • Heavy
  • Omit image stabilization

Canon EF 70-200mm f/2.8L IS III USM

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 1.2m
  • Elements in groups: 23/19
  • Stabilization: Yes
  • Weight: 1440g

Review

Canon EF 70-200mm f/2.8L IS III USM is one of the best lenses for landscape video. It is designed compatible with Canon EF-mount.

Autofocus & Accuracy: The Ring-Type ultrasonic motor is responsible for the fat, accurate and precise AF of the lens. Canon EF 70-200mm f/2.8L IS III USM is even faster with the manu full-time internal focusing. The built-in full-time manual focus is overridden.

Sharpness & Stabilization: The 3.5 stop optical image-stabilizer compensates for the lens minor vibration and increases image quality. Moreover, the UD elements minimize chromatic aberration and color fringing to a greater extent, thus increasing clarity through the focal range. Additionally, the Air Sphere coating enhances color contrast and fidelity by reducing flare and ghosting; that also in all conditions.

Element & Lens Mount: Canon EF 70-200mm f/2.8L IS III USM has a unique optical design that constitutes 23 elements in 19 groups. The broad range zoom lens is designed for full-frame Canon EF-mount DSLR and APS-C models. It is one of the best lenses for landscape videos.

Weight & Build Quality: Canon EF 70-200mm f/2.8L IS III USM weighs 1440 grams which makes it a relatively light telephoto lens that covers landscape videography. As it is weather sealed, Canon EF 70-200mm f/2.8L can be used for landscape video shooting. It is fundamentally made up of magnesium alloy.

Drawbacks

  • Vignette is present

Pros

  • Impressively strong sharpness
  • Image stabilization
  • Weatherproof
  • Fluorine coating
  • Sturdy build quality

Cons

  • Distorted

Sigma 18-35mm f/1.8 DC HSM Art

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.28m
  • Elements in groups: 17/12
  • Stabilization: No
  • Weight: 810g

Review

Sigma 18-35mm f/1.8 DC HSM Art is the choice for those who want an excellent performing wide-angle lens in a compact size.

Autofocus & Accuracy: Sigma 18-35mm f/1.8 DC HSM Art supports a Hyper Sonic Wave Motor along with the full-time manual focusing system of the lens. These two mechanisms thus result in a fast, precise and quiet AF performance of the lens. For accuracy the lens features five Special Low-dispersion elements which directly decrease collar fringing and aberration, hence clarity and accuracy is sustained.

Sharpness & Stabilization: To complement the sharpness, Sigma 18-35mm f/1.8 DC HSM Art zoom lens has four aspherical lens elements to prevent flare and ghosting. Rounded nine-blade diaphragm contributes to the lens video quality by slight bokeh.

Element & Lens Mount: Optical design of Sigma 18-35mm f/1.8 DC HSM Art zoom lens constituents 17 elements in 12 groups. Out of these elements five are SLD and four are glassmold aspherical. The lens is compatible with multiple cameras such as APS-C-format Canon EF-mount, DX-format Nikon F-mount, Pentax KAF, Sony Alpha DT and Sigma SA Bayonet.

Weight & Build Quality: It weighs 810 gram in total which is comparatively lightweight. Sigma 18-35mm f/1.8 DC HSM Art is one of the best lenses for landscape video because the Thermally Stable Composite (TSC) construction material makes it thermally stable in high temperatures and the brass bayonet makes it accurate.

Drawbacks

  • Omit fluorine coating

Pros

  • Very sharp and accurate
  • Best lens for landscape video
  • Multiple compatibility options

Cons

  • No weather sealing

IRIX Cine 45mm T1.5

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.35m
  • Elements in groups: 11/9
  • Stabilization: No
  • Weight: 1100g

Review

Landscape videography requires a bright aperture and focal length. IRIX Cine 45mm T1.5 offers it in the best way.

Autofocus & Accuracy: The lens features Cine-style 0.8 MOD geared focus rings that promote fast and precise AF throughout the focal range. On the other hand, three Extra Low-dispersion (ED) lens elements enhanced the lens accuracy by suppressing chromatic aberrations.

Sharpness & Stabilization: To promote sharpness, the optical design of IRIX Cine 45mm T1.5 features four High Refractive Index elements which are used to reduce both internal and surface reflections. The nine-blade diaphragm further improves landscape video quality.

Element & Lens Mount: The IRIX Cine 45mm T1.5 lens consists of 11 lens elements in 9 groups and out of these 11 elements four are High Refractive Index (HR) while three are Extra Low-dispersion (ED) elements. IRIX Cine 45mm T1.5 lens is designed for full-frame format sensors. It is compatible with the Canon EF-mount DSLRs.

Weight & Build Quality: IRIX Cine 45mm T1.5 lens weighs 1100 grams in total. It is a lightweight lens with the amazing landscape video quality. We consider it as one of the best lenses for landscape video recordings because of image and build quality.

Drawbacks

  • The lens has no image stabilization

Pros

  • Improved accuracy than other lenses
  • Good build quality and weatherproof

Cons

  • Omit lens hood
  • Exclude electronic contrast

Nikon 14-24mm f/2.8G ED

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.28m
  • Elements in groups: 14/11
  • Stabilization: No
  • Weight: 970g

Review

When it comes to the best lens for landscape video recordings for a Nikon DSLR, the Nikon 14-24mm f/2.8G ED is one of the best options.

Autofocus & Accuracy: For fast, quiet, and precise autofocus the lens utilizes a Silent Wave Motor alongside the full-time manual focusing override. An internal focusing, in which only the internal lens groups move, is also characterized by the autofocus system of the lens. Two Low-dispersion elements increase accuracy and clarity by reducing chromatic aberrations and color fringing.

Sharpness & Stabilization: There are three aspherical elements installed in the optical design for image sharpness and clarity. Additionally, Nano Crystal Coating of the elements also aids in sharpness of the videos by suppressing flare, ghosting and reflections.

Element & Lens Mount: Total elements in the 11 groups are 14. These elements include two Extra Low-dispersion and three aspherical while one with a Nano Crystal Coating. Nikon 14-24mm f/2.8G ED zoom lens is fundamentally designed for FX-format Nikon F-mount DSLRs.

Weight & Build Quality: Total weight of Nikon 14-24mm f/2.8G ED zoom lens is 970 gram. It is a relatively light and compact lens that we think is one of the best lenses for landscape video recordings. On the other hand, its build quality is also very good as it has a built-in metal-shaped lens hood along with a rounded nine-blade diaphragm.

Drawbacks

  • Need holder for filters

Pros

  • Ultra-wide and sharp
  • Cover full-frame with f/2.8

Cons

  • Costly
  • Distortion at wide-angle
  • Bulky

Canon 16-35mm f/2.8L III USM

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.28m
  • Elements in groups: 16/11
  • Stabilization: No
  • Weight: 790g

Review

Canon EF III USM is one of the latest L-series members. It is characterized by the best specialized features for landscape video shootings.

Autofocus & Accuracy: The ring-type fast ultrasonic motor provides rapid AF to the lens which is further enhanced by internal focusing design along with the full-time manual focus overridden. Canon EF III USM is highly accurate in its work.

Sharpness & Stabilization: Two ultra-low dispersion glass elements increase the sharpness of the wide-angle Canon EF 16-35mm lens. In addition, the elements that control vibration to a higher extent ultimately result in increased sharpness and clarity. It is indeed one of the best lenses for landscape video recordings.

Element & Lens Mount: The Canon EF 16-35mm f/2.8 lens has a total of 16 elements in 11 groups, individual elements are SWC and ASC coated. It is designed for full-frame Canon EF-mount DSLRs.

Weight & Build Quality: Canon EF III USM weighs 790 grams or 1.74lb. It is a very light and compact lens when compared to other lenses of the same purpose. It is compatible with Canon cameras where it offers an ultra-wide focal length hence making it one of the best lenses for landscape photography.

Drawbacks

  • The lens is expensive

Pros

  • Weather sealed
  • Fast, accurate and quiet AF
  • Impressive color correction

Cons

  • Heavy and bulky

Sony FE 20mm f/1.8 G

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.19m
  • Elements in groups: 14/12
  • Stabilization: No
  • Weight: 373g

Review

Sony FE 20mm f/1.8 G is a highly compact and lightweight lens with 0.19m of minimum distance of focus that makes it one of the best lenses for landscape video.

Autofocus & Accuracy: The Dual XD Linear Motor System of Sony FE 20mm f/1.8 G ultra-wide prime lens produces fast and accurate AF. The autofocus and manual focus are interchangeable with the AF/MF switch. For increased accuracy, Sony FE 20mm f/1.8 G lens is characterized by three Extra Low-dispersion (ED) elements that reduce distortion and aberrations.

Sharpness & Stabilization: Two Advanced Aspherical (AA) elements suppress color fringing and chromatic distortions that benefit the video sharpness in no time. In addition, the Nano AR coating of the lens element also enhances lens working in bright light conditions.

Element & Lens Mount: Total elements in 12 groups are 14, out of which three are extra-low dispersion (ED), two are advanced aspherical (AA) while Nano AR coating is also applied to the elements. Sony FE 20mm f/1.8 G sophisticated wide-angle lens is designed for full-frame Sony E-mount mirrorless cameras however APS-C models are also compatible with it.

Weight & Build Quality: Sony FE 20mm f/1.8 G ultra-wide lens weighs 373 gram. It is a very light and small sized lens that makes it one of the best lenses for landscape video. Besides the weight is the build quality, the lens is made weather sealed which means that it fits for shooting in inclement weather with the fluorine coating.

Drawbacks

  • A little focusing issue

Pros

  • Ultra-wide angle of view and fast AF
  • End-to-end crisp sharp
  • Lightweight, weatherproof and focused

Cons

  • Expensive

Yongnuo YN 50mm f/1.8

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance:0.35m
  • Elements in groups: 6/5
  • Stabilization: No
  • Weight: 162g

Review

Yongnuo YN 50mm f/1.8 with its multilayer elements coating, high accuracy, and crisp sharpness led it to this list of the best lenses for landscape video.

Autofocus & Accuracy: Yongnuo YN 50mm f/1.8 prime lens has both the autofocus and manual focusing system and thus there is also an AF/Mf switch to interconvert the two when needed. For accuracy it features multi-layered glass lens elements which reduce flare and ghosting to a greater extent.

Sharpness & Stabilization: The sharpness of Yongnuo YN 50mm f/1.8 lens is appreciated for landscape video recordings. It is characterized by one aspherical lens element to increase sharpness by actively reducing aberrations, flare and ghosting in different light conditions.

Element & Lens Mount: Total lens elements in Yongnuo YN 50mm f/1.8 prime lens are 6 in 5 groups. Moreover, the elements are multi-layered coated and one of the elements is an aspherical glass element. It is designed for Nikon and Canon mounts.

Weight & Build Quality: The weight of Yongnuo YN 50mm f/1.8 lens is extremely light which makes it best for travel photography as well.  It weighs 162 grams I total making it highly small in size. The build quality of the lens is also very impressive but is mostly made up of plastic. Thus, Yongnuo YN 50mm f/1.8 is one of the best lenses for landscape video shootings.

Drawbacks

  • Plastic built

Pros

  • Fast aperture
  • Affordable
  • Lightweight and compact

Cons

  • AF is not constant
  • Sometimes sharpness of the image reduce at center

Sigma 24-35mm f/2 DG HSM

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.28m
  • Elements in groups: 18/13
  • Stabilization: No
  • Weight: 940g

Review

Sigma 24-35mm f/2 DG HSM prime lens has a fast working AF system along with accurate and sharp image quality.

Autofocus & Accuracy: First of all, the ring-type Ultrasonic AF Motor added to the lens makes the autofocus very fast, quiet and precise with full-time manual focusing override. For accuracy there are two aspherical elements which nearly eliminate chromatic aberrations and color fringing.

Sharpness & Stabilization: When it comes to sharpness, Sigma 24-35mm f/2 DG HSM features Super Low-dispersion lens elements for this purpose. The elements reduce flare, ghosting, and reflections thus increasing the sharpness and clarity of the resulting videos and images. The lens does not have a built-in image stabilization mechanism.

Element & Lens Mount: Optical design of Sigma 24-35mm f/2 DG HSM is characterized by 18 elements in 13 groups. Out of these 18 elements in the groups 7 are SLD; one is FLD whereas two are aspherical lens elements. It is designed compatible with Nikon F-mount, Canon EF-mount and Sigma SA bayonet.

Weight & Build Quality: Sigma 24-35mm f/2 DG HSM is a zoom lens that weighs 940 grams in total. It is a lightweight, compact and sturdy lens. The construction of the lens makes it one of the best lenses for landscape video recordings as it is very strong and lightweight at the same time.

Drawbacks

  • Distortion is observed through the range

Pros

  • Very sharp and focused
  • Constant f/2 aperture
  • Strong build
  • Full-frame usable

Cons

  • No stabilization
  • Zoom ratio of the lens is very small

Sigma 28-70mm f/2.8 DG DN

BEST LENSES FOR LANDSCAPE VIDEO

Top Features

  • Min. focus distance: 0.19m
  • Elements in groups: 16/12 (2 FLD, 2SLD, 3 Aspherical)
  • Stabilization: No
  • Weight: 740g

Review

Sigma 28-70mm f/2.8 DG DN is one of the best lenses for landscape video shootings because of its excellent image quality and lightweight.

Autofocus & Accuracy: For fast and accurate AF the Sigma 28-70mm f/2.8 DG DN zoom lens features a Fast Stepping Motor along with the lightweight focusing element. These two mechanisms work in combination for the accurate and responsive performance of the autofocus. On the other side, there are three aspherical lens elements in the optical design of the lens which enhance the accuracy.

Sharpness & Stabilization: To complement the sharpness Sigma 28-70mm f/2.8 DG DN is characterized by two FLD and two SLD elements that reduce flare, ghosting, distortion, and aberration. It also features NanoPorous and Super Multi-layer coatings for improved clarity and sharpness.

Element & Lens Mount: Sigma 28-70mm f/2.8 DG DN has 16 elements in 12 groups. In these sixteen elements, two are FLD, two are SLD, and three are aspherical elements whereas NanoPorous and Super multi-layered coating is also applied to the lens.

Weight & Build Quality: Sigma 28-70mm f/2.8 DG DN zoom lens has a total weight of 740 grams. It is a relatively light and compact lens suitable for travel and landscape photography. The build quality of the Sigma 28-70mm f/2.8 DG DN zoom lens is also very impressive as it is strong, light, and ergonomic.

Drawbacks

  • The lens has no image stabilization mechanism

Pros

  • The nine-blade iris
  • Maximum f/2.8 fixed aperture
  • Full-frame format compatibility

Cons

  • Omit zoom lock
  • Available in L-and E-mount only

BUYING GUIDE

In this section of the article, we will discuss with you the most important features that a lens particularly for landscape videos must-have.

This guide will help you choose a lens that is best in all aspects of landscape video shooting. Do not forget that your purchase is based on the characteristics that you demand from a certain lens. Many features that are considered important by photographers are discussed in the aforementioned individual lens review, however, we will be discussing a few of them in this buying guide.

Focal Length

It is salient for a lens to have a focal length, but for a lens specifically for landscape video shooting a focal length of a minimum of 200mm and higher (telephoto) is appreciated and considered best. So make sure to buy a lens with a focal length that is long enough to offer you the best landscape videos.

Aperture

When you buy a lens especially for landscape videos try an f/4-11 aperture. However, focal length must not be compromised. Both aperture and large focal length have equal importance for landscape videos.

Autofocus

Autofocus is also important for a lens. Landscape videography demands faster and more reliable autofocus. It focuses on the frame details. A clearer video is more suitable to display. So check the AF of a lens before purchasing one.

Budget

A lens that is more affordable is best to buy. Before choosing a lens you just check your pockets because telephoto lenses for landscape video recordings may get very expensive. Thus, go for a lens that must not affect your balance.

CONCLUSION

This was our article about the “Best Lenses For Landscape Video”. We tried our level best to compile the important information in this one article. The aforementioned details and reviews were compiled through detailed research and investigation. To sum up, the buying guide mentioned above may help you before purchasing a lens so do check it.

We hope this article was helpful!

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